“An archive set in a distant future poised with a retrospective and archaeological orientation, inquiring into the origin of the artifacts. The artifacts are supposed to have vanished, and efforts made to recreate its history through imaginative readings only uncovered recently. The artifacts are literally rebuilt by relics and fragments, casting a shadow on the reality and authenticity. In turn brings opportunity to introduce fiction in the process of history making.”
Atlas : The Archaeology of an Imaginary City (Dung Kai Cheung)
Patrick Cheng-Chun Hwang is an Associate Professor in the Department of Architecture at National Cheng Kung University. His research and teaching examine the intersection of drawing, architecture, and the politics of the city. His recent work focuses on urban aesthetics and phenomena related to the effects of coincidental architectural façades produced by temporary billboards in the city.
His recent publications include “Extracting the Thick and Thin of Fragrant Harbour,” arq (2026); “Between the Lines: Tracing Hong Kong and Khlong San Urban Narratives through Collective Drawing,” Journal of Architecture, Taiwan (2026); “Drawing the Line,” JAE (2022); and “Inclusive Disegno: From Individual to Collective Competency,” Ardeth (2023).
Patrick is a Taiwanese American educated at the Rhode Island School of Design and Columbia University, and he is licensed to practice architecture in the United States. Since 1997, he has practiced architecture in the United States, Europe, and Asia. His recent project with HLArchitects was exhibited at the 19th Venice Biennale Taiwan Exhibition and the 15th Venice Biennale Hong Kong Exhibition. He has taught and coordinated design studios at all levels, from pre-college to master’s programs. Previously, Patrick taught at the University of Arizona, Delft University of Technology, and the Chinese University of Hong Kong.
CONTACT
|| Phwang@gs.ncku.edu.tw ||